y but insipid imita-tions of the great master of Urbino. In the drawing of Michael Angelo it isnot his manner, not the audacious fore-shortening nor the skilful anatomy thatshould be admired, but the desperate forceof the Titan. Those imitators who, withouthis soul, have copied in their painting •… … Jji^Hh
Art · Sculpture · Realism in art
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