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Renaissance and modern art (1894)

Goodyear, William H. (William Henry), 1846-1923 · Meadville, Pa. : Flood and Vincent · leaf 127

An illustration from Renaissance and modern art, 1894, leaf 127
ce and Modern Art. successfully practiced it, had not yet begun to treat thelights and shadows, or to represent the figures, with thatsoft modelling which Da Vinci was the first to practiceand teach. In fresco (painting on walls) distinct outlines, withoutshading, were the desideratum, because the… … Fig. 64.—Meeting of Mary and Elizabeth. By Giiirlandajo. Louvre. Fifteenth Century Renaissance Painting. 123 and formalism of outlines which rather obscure their really-faithful studies of the human figure and of natural objects. To this same appearance of formalism was also contrib-utory the very…

Art, Renaissance · Art

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