Goodyear, W. H. (William Henry), 1846-1923 · New York : The Macmillan company ltd. · leaf 133
ce and Modern Art. successfully practiced it, had not yet begun to treat thelights and shadows, or to represent the figures, with thatsoft modelling which Da Vinci was the first to practiceand teach. In fresco (painting on walls) distinct outlines, withoutshading, were the desideratum, because the… … PiG.64.—Meeting of Mary and Elizabeth. By Ghirlandajo. Louvre. Fifteenth Century Renaissance Painting. 123 and formalism of outlines which rather obscure their reallyfaithful studies of the human figure and of natural objects. To this same appearance of formalism was also contrib-utory the very…
Art · Art, Renaissance
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