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Renaissance and modern art (1894)

Goodyear, William H. (William Henry), 1846-1923 · Meadville, Pa. : Flood and Vincent · leaf 178

An illustration from Renaissance and modern art, 1894, leaf 178
the main thing. A closerillusion as regards momentary reality, the imitation offabrics or of trappings, was now generally in vog^e in re-ligious art. In expression the sentimental rather than thedignified was commonly sought. If therefore we wish to place the time as a whole, we must Seventeenth… … FiG. 103.—Portrait of the Dwarf El Primo. Velasquez. Madrid. neille and MoliSre, during its lapse, raised the Frenchdrama to its pinnacle of glory. The age of Cromwell andof Richelieu did not lack great men or great artists, but the 174 Renaissance and Modern Art. mission of the latter was not…

Art, Renaissance · Art

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