A history of painting in Italy; Umbria, Florence and Siena from the second to the sixteenth century (1903)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897, Douglas, Robert Langton, 1864-, Strong, S. Arthur (Sandford Arthur), 1863-1904, Nicola, G. de, Borenius, Tancred, 1885-1948 · New York, C. Scribner's Sons · leaf 192
ly alike, though it betrays a more recent date,and a more habitual skill in the painter. Superior to this of the Pitti, in every sense, is the fine portrait ^ E.g., and paitioularly in the Foitrait of a Goldsmith, No. 207, at the Pitti.[*This, as we shall see (p. 142, n. 1), is a Leonardesque work… … PORTRAIT OF A YOUNG MANBY FBANOIA BlQIO From a picture in the National Grallery VI.—fo faci page 126 v.] PORTRAIT IN THE NATIONAL GALLERY 127 of Stanatead House, which Mr. Poller Maitland attributes toBaphael in spite of Franoia Bigios monogram.^ We cannotaffect to contemn the reasons which induce…
Painting, Italian · Painting
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