The art of the Italian renaissance; a handbook for students and travellers (1903)
Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 134
to them ; Init is it-really He or is it a spirit . Itaphaehs conception of thetjreme is to show hoAiiJJieJiiJiiig_jrfj:onyhiion graduall\- steals p\er,tbifi 1 Was it an instinct of style that made Raphael reciuivo some solid object in the fore-ground ? Botticelli, too (/;//•//, of Vniiix), did not… … i^ioup, how first tlie foreniost iiieiiihers ;irc iitlrntitcd, u:lil]j tln nunv rfniotcones remain unmoved. Thiji_(A)rice2rl:i()n re(|uiix>i_miicli pouer of psyflio- Jogi«U—taqiLiejsion,. and was (|uite hevoud the eapaeities of the eldergeneration.^ Perugino shows Christ in the middle of the…
Art · Art, Renaissance
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