The art of the Italian renaissance; a handbook for students and travellers (1903)
Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 173
he further glimpses of landscape on either side of the picture. The draperyand the floxNcry foregiound still sliow traces of the Quattrocento. The great Cnicifi.vio/i in the Certosa (1506) also shows Peruginosinfluence. But four years afterwards Alljertinclli created the new andclassic emendation… … Uio Holy Trinity, liy Allicrtiiic FRA BARTOLOMMEO the place of co-ovdina-tiou, /.(■. when one leg isj)ushed DAer the other.Hereafter, the painterwent further still, andmade a eoanter-ino\e-nient of the head eorre-sponil to this movementof the legs. If the direc-tion of the lower limbs istowards the…
Art · Art, Renaissance
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