The art of the Italian renaissance; a handbook for students and travellers (1903)
Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 216
Adortition of the Shepherds, or of Tlw Three Kiu^-s, were nowmerely pretexts for more or less ))erfunctory combinations of curves, amultiplicity of nude forms. , (Cf. Til)aldis Adoration ofthe Shej)herds.) It may be asked, what had Ix-come of the splendid scenes of theRenaissance P Why should a… … and Aiiuir (// (.■io,,/), liy V;is; hovond this j)rescnt Morld, and svstcniatisint; tbniiod a proHtahlc alliaiu-ew itii learned unti(|uaTianisin. Tlie ditiereiiee I)et\\eeii tlie loeal schools dis-api)eared. There was no longer a jiopiilar art. Under these eirenmstaneesart was beyond all aid, it…
Art · Art, Renaissance
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