The art of the Italian renaissance; a handbook for students and travellers (1903)
Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 248
s), but (juite negligently; disciolto is the word used.This, of course, can only apply to a rider without armour. A manlightly clad can sit on his horse, but heavy armour requires him almostto stand. In the <me case the knees are bent, in the other they arekept stiff. ^ Art confined itself to… … Wuifiaii uurrylrig Wator, )jy J{!iphiiul. 230 THE ART OP THE ITALIAN RENAISSANCE ■weight thrown out to the side, andwith a corresponding inclination ofthe head, was in his day a noveltyin Florence. Tuscan grace wasmore sprawling and angular, andthough others occasionally ap-proached him in motiye,…
Art · Art, Renaissance
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