The art of the Italian renaissance; a handbook for students and travellers (1903)
Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 259
ve selectedonly the sculpturesque motive. Lhe general feeling for nature narrowed.There can Ije no doubt that the development of art was not thereby bene-fited. The High Renaissance stood in a restricted domain, and there wasconsideralile danger that it would exhaust itself. The tendency towards a… … AUtjgiiry, tiy Filippino Ijippi. THE NEW BEAUTY 241 with an approximation to antique beauty. There is an inchnation toassume that the wish to imitate was the effectual motive in both cases,as if the picturesque world had been abandoned in favour of antiquestatues. But one must not judge from the…
Art · Art, Renaissance
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