The art of the Italian renaissance; a handbook for students and travellers (1903)
Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 298
an starts with the idea that two analogous scenescannot be dej)icted in close proximity. Jhe death of Peter is the chiefmotive, with which nothing nmst compete. He accordingly leaves thesecond murderer out, and treats the attendant friar only as a fugitive. Atthe same time he subordinates him to… … The Death of Peter .Mmtyr, l)j- Titiiin 280 THE ART OF THE ITALIAN RENAISSANCE the same eoiineetoil iiiove-iiient, and l)v continuinu;tlie (lii-ection intensifiestlie fiir\ of tile onslaught.As if he A\ere a fragmenthounding oft from themain grou[) at the shoek,he hurls himself forwardin the…
Art · Art, Renaissance
Internet Archive · Cornell University Library · Public Domain Mark 1.0. Free to use for anything.
