The art of the Italian renaissance; a handbook for students and travellers (1903)
Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 299
s a condition in which the smallest part could not be changedwithout marring the beautv of the whole. Here we ha\e a visible proofof what he puts forward as a theorw The treatment of the tices may teach us how in such a compositionTitian employed all aci-essories to heighten the main effect,… … Bt. Ju-oiiic, liy Basaiti. THE NEW PICTORIAL FORM 2,S1 ^^liU ill llu Mxciilcciilli crii-llirv, DciiiiriiuliiiH), ,-|i,srlv lullow inn-Titi.-ili, ivIiiM II,,. .,f,,iv in a „,.||kll()\Ml picliiiv iiou ill III,, (iailciv.■ih Hi)l()i;ii;i, |||(. IccliiiM loi- ,.||| llij^ .irtisl ic W isdoill ll;i(|…
Art · Art, Renaissance
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