The art of the Italian renaissance; a handbook for students and travellers (1903)
Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 31
the straining arm with thesword are all in strong contrast to the repose which marks Donatellosfigure. The whole conception is based on an impression of movement.The head e\en is now required to express movement, and a smile stealsover the featru;es of the youthful con(|ueror. The masters desire… … David, liy Uuuatullu. PRELIMINARY SURVEY finds satisfaction in the de-tails of the annouv, «hieh dehcately follows and inter-rupts the tine lines of the body, and when we note the thorough modelling of the nude, Donatellos sunniiarv process seems empty indeed compared with ^ errocchio> wealth of…
Art · Art, Renaissance
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