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The art of the Italian renaissance; a handbook for students and travellers (1903)

Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 32

An illustration from The art of the Italian renaissance; a handbook for students and travellers, 1903, leaf 32
lanes, |where \errocchio breaks them up,and goes into minute details. The trappings of \\rrocchios horse aremeant to reduce the planes. The armour in itself, as well as thetieatment of the mane, is a ^ery instructi\e piece of late c|uattrocentistdecorative art. The elaboration of the muscular parts… … David, l.y \\vru 14 THE ART OF THE ITALIAN RENAISSANCE The danger of losing himself in petty details was clearly immi-nent. -^ Verrocchios chief title to fame is his Avork in bronze. It was in his daythat the real merits of the material were developed. ]Men set about tobreaiv np the mass, to…

Art · Art, Renaissance

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