The art of the Italian renaissance; a handbook for students and travellers (1903)
Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 52
to a diftereclass of men, if we did not know that he himself created the type. Ihas here worked out the best of his own nature, and certainly this distintion is the connnon property of the Italian race of the sixteenth centuiHow the Germans from Holbein onwards ha\e striven to achieve the charof… … The Last Supper, from an engraving hy ihirc Antonio. It might, however, be said again and again that the point, wliichmakes the Christ in this picture appear so absohitel\ different from theolder presentations, is not completely explained hv His form and mien, butthat the essential difference is…
Art · Art, Renaissance
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