The art of the Italian renaissance; a handbook for students and travellers (1903)
Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 56
resuperficial enrichment to the portrait. Their easy indolence of pose a^l^sinnnensely to the imlividiiality of the sitt^i. We can trace the delicacyof the sense of touch in these truly soulful fingers. Verrocchio anticipatedLeonardo hcre^ in intrnilucinu; tluiJiands even in hjsjiusts; The costume… … Portrait of Monna Lisa, l.iy LeouarJo da Ainci. LEONARDO 39 nut, as fonnerly, short and narrow, hut reaching to thu wrists, andcrumpkd into many transverse folds, thev form an effective accompani-ment to the rounded compact surfaces of the liands. The shapelvfingers are not burdened l)v any rings.…
Art · Art, Renaissance
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