The art of the Italian renaissance; a handbook for students and travellers (1903)
Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 64
eel a desire for less andiiguous female forms. The Leda with th(swan would have been the ideal picture. It is only know n from drawincp; LEONARDO 45 and imitations, in the two versions, standing and crouching. (Cf. Jahrlmchder Pirusshchcn Kunstsammhingen. 189) (:Midler-Walde). In both theaction is… … Aljiindaiitia, ).>y Giaiilictrinu where if anywhere a richly modelled figure miglit reasonaljly be expected,is restricted to this Imrren design. (Picture bv Luini in Milan, Borromeo.)The unpretentious half-length Abiindantia by Gianpietrino may be givenhere as a type of such Avorks.^ The picture…
Art · Art, Renaissance
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![An illustration from Illustrated catalogue of a highly important collection of ancient paintings of the Italian, Dutch, Spanish, Flemish and French schools, including an imposing gathering of Italian and Flemish primitives [electronic resource] : to be sold at unrestricted public sale by direction of the F. Kleinberger Galleries, for the purpose of adjusting the business interests of their former partnership and the present incorporation, in the grand ballroom of the Plaza Hotel, Fifth Avenue, 58th to 59th Street, on the evening herein stated (1918)](https://img.insideoutlibrary.com/img/200/ia-liu-31289009872740-86-32.webp)
