The art of the Italian renaissance; a handbook for students and travellers (1903)
Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 67
quent : half-opened,it accentuates the nnite monologue of ])ain. This is the sentiment of the Cin(|neccnto. Even the Christ shovts,none of tlie disligurement of suffering. On tlie formal side the traces ofFlorence and tlie st\le of tlie fifteenth century are more obvious. Tl]£head of ^Nlary is,… … Madonna A JJniycs, hj- MichulaiigL-li.. MICHELANGELO 49 the actual i;rour)inir of these tiiiures,would have afterwards seemed tohim too slight, too transpareut, tooloose. The corpse, more heavilymodelled, \\ould ha\e been a greaterburden, the lines would not havediverged so widelv, and tiie…
Art · Art, Renaissance
Internet Archive · Cornell University Library · Public Domain Mark 1.0. Free to use for anything.
