The art of the Italian renaissance; a handbook for students and travellers (1903)
Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 88
artistdown to a direct explanation of each gesture. There is no peculiar tension of muscles, but this series of nude figuresseem to ha\e the faculty of infusing currents of \ italitv into the spec-tator ; they constitute a life-communicating art, to use the words ofB. Berenson. The proportions are… … 1^ ^^ »-» r 1 i IK. % * 1 l^o 1 : fj^^ wff^ 1 i u^mbhWssks sem Wk HlB^^ iM ^^ggpp^njz Figures uf Slaves, bj- Jlichekuigelo. ([■ruui the third gruuii.) century produce to these imposing figures ? Tlie divergence from thenormal type in the structure of the bodies is unimportant in comparisonwith the…
Art · Art, Renaissance
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