The art of the Italian renaissance; a handbook for students and travellers (1903)
Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 94
artly raisedso that it is quite visible; presently it was to be entombed like a DeadChrist.i This A\ould have been a inere incident in comparison with the wealthof figures which had been planned. AVe have, as has been said, onlythree of them, the two Slaves from the lower storey of the monument… … ijf a Prelate, by Andrea Saiisuvinu.(The upper part omitted.) THE ART OF THE ITALIAN RENAISSANCE These Slaves are fettered, less by their actual bonds, than bytheir structural purpose. Tliev Mere to be placed in front of pillarsand thev share the restraint of the architectonic form. They aresubject…
Art · Art, Renaissance
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