The art of the Italian renaissance; a handbook for students and travellers (1903)
Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 98
Arno. The youthful Raphaelmay well have been told that he might alway find a public for his mastersstyle. He may have l)een encouraged to hope that he would become asecond or even a better Perugino. His pictures did not seem to promiseany more strongly marked individuality. Free from any trace of… … he brought \\ itli liim atalent pecuhar to hini-seh, a capacity for grasp-ing fresh notions, andchanging preconceivedideaa^. He gave the tirstgreat proof of this whenlie abandoned the tenetsof the Unibrian Schooland devoted himself toFlorentine problems. Few-artists «ould have beenable to do so,…
Art · Art, Renaissance
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