A history of painting in Italy; Umbria, Florence and Siena from the second to the sixteenth century (1903)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897, Douglas, Robert Langton, 1864-, Strong, S. Arthur (Sandford Arthur), 1863-1904, Nicola, G. de, Borenius, Tancred, 1885-1948 · New York, C. Scribner's Sons · leaf 132
y from their present dark recesses.Maboebse mentions them (ii. 131). ^ The St. Mark is No. 125, at the Pitti, in oil and on canvas (Vasabi, iv. 189).^ The St. Vincent is No. 68, at the Academy of Arts; wood, oil (Vasabi, iv. 189).Both were originally in S. Marco, the latter now much dimmed. *… … ST. MAKE By Fka Baetolommeo From a picture in the Balazzo Pitti, Florence Photo. Alinari VI.—To face page 88a
Painting, Italian · Painting
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![An illustration from Illustrated catalogue of a highly important collection of ancient paintings of the Italian, Dutch, Spanish, Flemish and French schools, including an imposing gathering of Italian and Flemish primitives [electronic resource] : to be sold at unrestricted public sale by direction of the F. Kleinberger Galleries, for the purpose of adjusting the business interests of their former partnership and the present incorporation, in the grand ballroom of the Plaza Hotel, Fifth Avenue, 58th to 59th Street, on the evening herein stated (1918)](https://img.insideoutlibrary.com/img/200/ia-liu-31289009872740-68-25.webp)
