A history of painting in Italy; Umbria, Florence and Siena from the second to the sixteenth century (1903)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897, Douglas, Robert Langton, 1864-, Strong, S. Arthur (Sandford Arthur), 1863-1904, Nicola, G. de, Borenius, Tancred, 1885-1948 · New York, C. Scribner's Sons · leaf 196
within. More substantial are the superposed lights, with their variedshades of cool or livid tinge, and the shadows of warm brown laid in over each other.The portrait is in first-rate preservation. 3 Wood, oU, life-size, much injured and restored. In the distant landscape tothe right two little… … v.] POETRAITS AT WINDSOR AND BERLIN 129 keys hanging from his wrist; an ink-bottle in his left hand; ashield in the border of stone upon which he rests, bearing the sixgolden balls of the Medici; and an olive-branch denoting thepeaceful nature of his occupation. Originally in the collectionof…
Painting, Italian · Painting
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