A history of painting in Italy; Umbria, Florence and Siena from the second to the sixteenth century (1903)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897, Douglas, Robert Langton, 1864-, Strong, S. Arthur (Sandford Arthur), 1863-1904, Nicola, G. de, Borenius, Tancred, 1885-1948 · New York, C. Scribner's Sons · leaf 262
ence that the very reverse occurred from that which * The colour in the upper arch of this fresco is somewhat eaten away by time,or absorbed by the plaster. There is a constant contrast of warm light with coolshadow. The flesh of a pearly-grey in the darker places. On the mantelshelfone sees the… … Photo, Eanfataengl pobtbait of ltrcbezia del fede By Ahdkea del Saeto From a picture in tiie Kaiser Friedricli Museum, Berlin VI.—To face page 174 VII.] PORTRAITS OF LUCRBZIA DEL PEDE 175 we note in Venice. In Florence, fresco was carried to far greaterexcellence than oil-painting, because its use…
Painting, Italian · Painting
Internet Archive · Cornell University Library · Public Domain Mark 1.0. Free to use for anything.
