A history of painting in Italy; Umbria, Florence and Siena from the second to the sixteenth century (1903)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897, Douglas, Robert Langton, 1864-, Strong, S. Arthur (Sandford Arthur), 1863-1904, Nicola, G. de, Borenius, Tancred, 1885-1948 · New York, C. Scribner's Sons · leaf 94
scientificdistribution which owes much of its final development to daVinci, and is called modern art since it was raised to sublimity in ^ Vasari, iv. 180. 2 See antea, p. 56, n. 1. 3 Vasabi, iv. 180. * It is the sole link between the old masters and Raphael. If it were missing,we should say that… … the last judgment By Tea Baetolommeo From a fresco in the Uf&zi, Florence PhoiOt Alinari VI.—To face page 58 in.] THE LAST JUDGMENT AT S. MARIA NUOVA 59 the Parnassus of Eaphael. The space may be dissected intoblocks of various shapes—ovals, triangles, polygons, and arcs.The result of their…
Painting, Italian · Painting
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