The story of art throughout the ages; an illustrated record (1904)
Reinach, Salomon, 1858-1932, Simmonds, Florence · New York, C. Scribner's Sons · leaf 298
FIG. 543.—ORPHEUS.G. MOREAU. (Mus^e du Luxembourg, Paris.) wards, developed into veritable sys-tems, Impressionism and Pleinairisine(the painting of pictures in the openair), owe their origin to his technique,the leading principle of which was thejuxtaposition of pure colours—for, saidhe, the… … FIG. 544.—FORTUNE.BAUDRY. (Musee du Luxembourg, Paris.) cannot seize. It is also a reactionagainst symbolism, intellectualism, andall those elements in a work of art
Art · Architecture
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