The story of art throughout the ages; an illustrated record (1904)
Reinach, Salomon, 1858-1932, Simmonds, Florence · New York, C. Scribner's Sons · leaf 304
. (Tate Gallery, London.)(Photo, by Hollyer.) painter on traditional lines (Fig. 556) ;but Rossetti had a brilliant disciple injBurne-Jones (Fig. 557), while G. F.Watts (Fig. 555), though his develop-ment was independent, was inspired bysimilar ideas. Violently attacked by theacademic majority, the… … FIG. 556. THE YEOMAN OF THE GUARD. MILLAIS. (National Gallery.) his dogmatic and irresponsible criti-cism. The Pre-Raphaelites saw in Raphaelan apostate from the ideal and a high- FIG. 557- LE CHANT D AMOUR. BURNE-JONES. (Ismay Collection, London.) priest of academicism. They modelledthemselves on…
Art · Architecture
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