The story of art throughout the ages; an illustrated record (1904)
Reinach, Salomon, 1858-1932, Simmonds, Florence · New York, C. Scribner's Sons · leaf 309
is alsothe less ponderous and aggressive ofthe two. In addition to admirable por-traits, to single figures that Donatellomight have signed, and groups full ofdeep feeling or vibrant passion, he hasexpressed in marble all the visions ofa heated fancy, often tending towardsthe monstrous and abnormal.… … FIG. 567.—THE FLORENTINE SINGER.DUBOIS. (Mus<?e du Luxembourg, Paris.) ing and palpitating; the clay or themarble shares the hyperaesthesia of thesculptor (Figs. 576, 577).
Art · Architecture
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