Eddy, Arthur Jerome, 1859-1920 · Chicago : A.C. McClurg · leaf 218
to simplest and most essential, just swayingshoulders and hip and knee, bent head and springy sole —and thenshow them on every step and between all the steps, passing andalways passing one into the next, you give the sense of movement,as with a run of arpeggios on the harp or a cadenza on the… … BALLA Dog and Person in Movement FUTURISM 165 Picabia makes the lines in his Dance at the Spring leap andswing and flicker like a fiddlers bow. If he and others want, whenthey choose, to abandon the last pretense of representation and con-vey directly to you the way they feel mass and motion, as…
Post-impressionism (Art) · Cubism · Art, Modern · Impressionism (Art)
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