Eddy, Arthur Jerome, 1859-1920 · Chicago : A.C. McClurg · leaf 234
hythms, totally opposed to one another,^ which we nevertheless assemble into a new harmony. * We thus arrive at what we call the painting of states ofmind. One may remark, also, in our pictures spots, lines, zonesof colour which do not correspond to any reality, but which,in accordance with a law… … o 0.2 FUTURISM 179 the exterior (concrete) scene and the interior (abstract) emo-tion. Those lines, those spots, those zones of colour, appar-ently illogical and meaningless, are the mysterious keys toour pictures. Conclusion: Our futurist painting embodies three newconceptions of painting: I. That…
Post-impressionism (Art) · Cubism · Art, Modern · Impressionism (Art)
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