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Emancipation and the freed in American sculpture ; a study in interpretation (1916)

Murray, Freeman Henry Morris · Washington, D.C., The author · leaf 114

An illustration from Emancipation and the freed in American sculpture ; a study in interpretation, 1916, leaf 114
e artists message of longing,of hope, of sorrow, introspectively, — in theheart — the finer does the group appear. Here we may fittingly repeat the exclama-tion of Louis Gonse: Alas! it is not the absence of faults which makes amasterpiece. It is flame; it is life; it is emotion; it issincerity; it… … 13. Emancipation, group (side view), by Meta Vaux Warrick Fuller

African Americans in art · Sculpture, American

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