Emancipation and the freed in American sculpture ; a study in interpretation (1916)
Murray, Freeman Henry Morris · Washington, D.C., The author · leaf 54
capacities; etc? To theselinks he — or at anyrate a considerable part ofhis posterity — yet clings with a fearsome,fatuous hope that in some way they may servehis supposed special needs; may possiblybe useful when he attempts to stand erectand make his way forward. Jarves thinks the Freedman looks… … 1. The Greek Slave, statue,by Hiram Powers
African Americans in art · Sculpture, American
Internet Archive · Smithsonian Libraries · Public Domain Mark 1.0. Free to use for anything.
