Emancipation and the freed in American sculpture ; a study in interpretation (1916)
Murray, Freeman Henry Morris · Washington, D.C., The author · leaf 94
d, unstimulated memoryand intuition to supply what is neither por-trayed nor suggested: that would not be Art. If great and comprehensive themes, and im-portant and far-reaching events could be thuseasily disposed of, we should not require aMichael Angelo to depict The Creation, nora Raphael to… … 9. Emancipation, group, Edinburgh, Scotland, by George E. Bissell
African Americans in art · Sculpture, American
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