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Engraving and etching; a handbook for the use of students and print collectors (1906)

Lippmann, Friedrich, 1839-1903, Lehrs, Max, 1855-1938, Hardie, Martin, 1875-1952 · London, H. Grevel · leaf 250

An illustration from Engraving and etching; a handbook for the use of students and print collectors, 1906, leaf 250 — s though to maintain hisposition as the exponent of monumental dignity in painting,introduced a large style of engraving (fig. 105) absolutely* AGOSTINO CARRACCI 229 opposed to the minute precision of the later Little Mastersof the northern schools. Carracci strove to attain neitherany illusion of… … Fig. 105. Agostino Carracci : St. Jerome (detail). shadows. In addition to much original work he alsoengraved after Titian, Paolo Veronese, and other masterswhose style was related to his own. Agostinos brother,Annibale Carracci (1 560—1609), made only a few amateur-ish experiments in etching and…

Engraving · Etching

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