Berenson, Bernard, 1865-1959 · New York : F. F. Sherman · leaf 149
er substance,he can articulate it, and put it in motion, and he canendow it with character, and even individuality. On the back of the Salver, the design of the wingedlittle boy standing on a rock in a landscape (Figure 31)is treated more summarily, and although quite as attrac-tive, it seems to… … Fig. 31. Close follower of Cossa : Reverse of Marriage Salvek repre-senting PuTTO WITH Cornucopias Muscitm of Fine Arts, Boston, U. S. A. edge, as may be expected from a hastier execution. Buteven the little boy betrays a post-scientific acquaintancewith the nude. He, too, stands on his feet, and…
Painting, Italian · Painting
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