Berenson, Bernard, 1865-1959 · New York : F. F. Sherman · leaf 171
rule his proportionsremain frail, pulled-out and Gothic (Figure 36).When he attempts the nude, as at S. Maria di Seppio,near Camerino, it is clear that he has never eventhought of drawing it from nature. Of his line andof his draperies, all that can be said is that they aredisarmingly innocent;…
Painting, Italian · Painting
Internet Archive · Boston Public Library · Public Domain Mark 1.0. Free to use for anything.
