Berenson, Bernard, 1865-1959 · New York : F. F. Sherman · leaf 228
l>- … has none of the almost Mantegnesque precision whichbelongs to Matteos buildings, but is as feeble as wefound it in the Nativity. We note the same tendencyto a toppling structure with perspective absurdly bad. To turn now to the cassone-ironts, the one that comesnearest to Matteo himself is a panel…
Painting, Italian · Painting
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