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Famous paintings as seen and described by famous writers (1907)

Singleton, Esther, 1865-1930 · New York : Dodd, Mead · leaf 32

An illustration from Famous paintings as seen and described by famous writers, 1907, leaf 32
school of great schemes, in which themasses are blent into one great harmony. The masses orpatches of colour are isolated, and produce a pleasantvariegation, without fusion. His colour is thin, also, as ofa superficial tinting, not affecting the substance. His fleshis hard and opaque, his flowers… … THE ANNUNCIATION. THE ANNUNCIATION 15 Ecstasy^ or of brick and marble, as in The Annunciation^that you get the true consistency as well as the true colour.Yet his colour is exquisite of its kind, brilliant and trans-parent like enamel, and the different tints in themselves arelovely and varied.…

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