Fifty years of modern painting, Corot to Sargent (1908)
Phythian, John Ernest, 1858- · London, G. Richards · leaf 165
mposed; something alsocan be seen of the breadth yet subtlety of the lighting.The colour is quiet yet rich, the greys, blues, browns, andsober flesh tints are forced out by the black hair, sash, andvase in the picture within the picture, and relieved by thehues of the flowers. A portrait of his… … MLLE. EVA GONZALES EDOUARD MANET THE IMPRESSIONISTS AND THEIR AIL1ES 119 reverie which brings upon the mobile features and to theeyes that see an inward vision, an expression of thoughtful-ness that either is, or is near to, sadness. It is a portrait ofwhich one instinctively uses the word noble.…
Painting
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