Fifty years of modern painting, Corot to Sargent (1908)
Phythian, John Ernest, 1858- · London, G. Richards · leaf 385
ipice, and he isnow gently leading her from darkness and danger up tosafety and the light. Here also there is nothing too littleand nothing too much, that either way the story should failof its desired effect upon us. Of course, Watts was not always at his best. Some ofthe subjects he treated were… … LOVE AND LIFE G. F. WATTS PAINTING IN GREAT BRITAIN 305 life-work as a whole leaves us with a feeling of inequality,of incompleteness, much more so than does the work ofmany who have never gained the heights that he did. Hisreach exceeded his grasp. He would not limit himself tothat which he could…
Painting
Internet Archive · Smithsonian Libraries · Public Domain Mark 1.0. Free to use for anything.
