Fifty years of modern painting, Corot to Sargent (1908)
Phythian, John Ernest, 1858- · London, G. Richards · leaf 79
ent of subjects taken from ancient history, hepainted them himself with more realistic truth of actionand expression, remembering that the people of classicaldays did once really live. The classical movement was in agreat degree ignorant superstition—one might almost call itgrovelling superstition.… … LA SOURCE J. D. INGRES THE IMPRESSIONISTS AND THEIR ALIIES 57 military costume of the Romans. In architecture andsculpture, as well as in painting, what have we not had tosuffer, what do we not still suffer, through our artists for-getting that if art is to be living it must chiefly live in…
Painting
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