Freehand perspective and sketching; principles and methods of expression in the pictorial representation of common objects, interiors, buildings and landscapes (1916)
Norton, Dora Miriam · Brooklyn : The author · leaf 129
he dis- tance from the eyeare the same as inthe last chapter.Place the model sothat its recedingfaces make very un-equal angles with thepicture plane (B inFig. 175). Bothsides and the topand bottom are nowforeshortened andtheir horizontal linesvanish respectivelyin VPl and VP2(Fig. 177). Selection… … Fig. 174 ROOM AT ANGLES TO PICTURE PLANE relation of the subject-matter within that space to the pictureplane. Thus in the last study, the extreme points {x and y) of theback wall of theroom are equallydistant from thepicture plane aswell as from theeye (A in Fig. 175).Therefore we couldnot,…
Drawing · Perspective
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