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Freehand perspective and sketching; principles and methods of expression in the pictorial representation of common objects, interiors, buildings and landscapes (1910)

Norton, Dora Miriam · Brooklyn : D. M. Norton · leaf 127

An illustration from Freehand perspective and sketching; principles and methods of expression in the pictorial representation of common objects, interiors, buildings and landscapes, 1910, leaf 127
This gives a more generally favorable shape (Fig. 170)to the inclosure, and keeps the oblique lines from running to itscorners, which should always be avoided. (See p. 116.)^ 1 See Chapter XLII for further consideration of a room parallel with the picture plane. 109 Chapter XXXIV INTERIORS… … eye level and the dis-tance from the eyeare the same as inthe last chapter.Place the model sothat its recedingfaces make very un-equal angles with thepicture plane (B inFig. 175). Bothsides and the topand bottom are nowforeshortened andtheir horizontal linesvanish respectivelyin VPl and VP2(Fig.…

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