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Freehand perspective and sketching; principles and methods of expression in the pictorial representation of common objects, interiors, buildings and landscapes (1910)

Norton, Dora Miriam · Brooklyn : D. M. Norton · leaf 107

An illustration from Freehand perspective and sketching; principles and methods of expression in the pictorial representation of common objects, interiors, buildings and landscapes, 1910, leaf 107
ed back on the diagonal AE to 0it would appear to shorten as moved. Its topwould describe an actually horizontal lineabove AE, that is, a line parallel to it, conse-quently vanishing to the same point. There-fore continue the diagonal AE to the eye level,giving VP3, and draw the parallel line… … Fig. 145 a church spire or a tower (Pig.145) stand true will be readilyrecognized. The use of the di-agonals (AB and CD) will aidin placing its axis and apex. Any upright rectangular ob-ject with equally sloping sides iseasily constructed on the sameprinciple, as the grape basket inPig. 145a. If…

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