French art, classic and contemporary, painting and sculpture (1901)
Brownell, W. C. (William Crary), 1851-1928 · New York, C. Scribner's Sons · leaf 137
, in every detail of whose every work, one may almostsay, its informing, co-ordinating, elevating influence is dis-tinctly to be perceived; but it is always present as a factor, asa force dignifying and reheving from aU touch, all taint of thecommonness that is so often inseparably associated with… … iri^ NKW TORIPUBUC LIBi^ART ASTOR, LENOXTllBBN FOUNBATIONS ROMANTIC PAINTINGas one source of his power his reserve and restraint, his perfectself-possession. In Daubigny a similar attitude toward nature is obvious,but with a sensible difference. Affection for, rather than ab-sorption in her, is his…
Art, French · Painting, French · Sculpture, French
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