French art, classic and contemporary, painting and sculpture (1901)
Brownell, W. C. (William Crary), 1851-1928 · New York, C. Scribner's Sons · leaf 57
Italian leading-strings. He might often suggestRaphael—and any painter who suggests Raphael inevitablysuffers for it—but always with an individual, a native, aFrench difference, and he is as far removed in spirit andessence from the Fontainebleau school as the French geniusitself is from the… … THK N?; iV nutPUBLIC ..i^KART AS-io--., ■■ >£ TUJDEa* FOUNDATIONS CLASSIC PAINTINGWe who ask to be moved as well as impressed, who demandsatisfaction of the susceptibiUty as well as—shall we say ratherthan?—interest of the intelligence, may feel that for the quah-ties in which Poussin is lacking…
Art, French · Painting, French · Sculpture, French
Internet Archive · New York Public Library · Public Domain Mark 1.0. Free to use for anything.
![An illustration from Joachimi de Sandrart, à Stockau ... Academia nobilissimae artis pictoriae, sive, De veris & genuinis hujusdem proprietatibus, theorematibus, secretis atque requisitis aliis ... : unà cum artificum tam Aegyptiorum, Graecorum & Romanorum, quàm Italorum, Gallorum, Anglorum, Germanorum, Belgarum, aliorumq[ue] ... vitis atque encomiis ... : eorundemque plusquàm ducentis iconibus ... aere expressis, erecta atq[ue] publicata (1683)](https://img.insideoutlibrary.com/img/200/ia-gri_joachimidesa00c2sa-68-40.webp)
