French art, classic and contemporary, painting and sculpture (1901)
Brownell, W. C. (William Crary), 1851-1928 · New York, C. Scribner's Sons · leaf 73
ual point of view—be-tween the classicism of Lebrun and the still greater severityof David. Nothing in the evolution of French painting is moreinteresting than this reverberation of Tintoretto and Tiepolo. By cleverness, as exhibited by the Louis Quinze painters,I do not mean mere technical abihty,… … THE NEW TORCPUBLIC L.1R«ART AS-10«, -ENOX TmOEN foondattoms CLASSIC PAINTINGexecute. There is a sense of confidence and capability in theway they view, as well as in the way they handle, their lightmaterial. They know it thoroughly, and are thoroughly at onewith it. And they exploit it with a…
Art, French · Painting, French · Sculpture, French
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