Bryant, Lorinda Munson, 1855-1933 · New York, Dodd, Mead and Co. · leaf 227
y any means does Millet always picturethe sordidness of the French peasant. He wasever striving to picture life in the living. Trueit was not a life of thrills yet it was the simplejoys of daily doings. Could anything be fullerof home joy than this picture of Feeding theNestlings, Lille Museum,… … AND THEIR PAINTERS 127 must have the lions share! Look how curiousthe old hen is. She is an essential part of thescene for she has a share in that bowl too. It isMillets intimate understanding of the close rela-tionship of natures human children to all herother children that gives him such power in…
Painting, French · Painters -- France
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