French portrait engraving of the XVIIth and XVIIIth centuries (1910)
Thomas, Thomas Head, 1881- · London : Bell · leaf 157
ity—is less insisted onthan before, and is a much less important element in thedesign. Not only is the personality suppressed and sub-ordinated to the decorative character of the design, but ismade even to harmonize with it, treated subjectively (to usea rather grimly scientific expression), and… … o !iJn,;;/„, ( :\. .. . \.ut,.;,, ■ \ .>, I.i l^iulc llarbonuon<fstiwu\ltl /•■ .<;• . l,il.u;,n,i.i,i. i , V/./ !/«, /«,. ■•, l-/v ?V >1^v ^f ;.i5f\5. Vs ( ,11111,1,i,iA in ,),■ idrthrthl • > <.//v/_ THE LOUIS XV PORTRAIT 79 into various preconceived types. Even the expression…
Engraving, French · Engravers · Portraits, French · Portrait prints, French
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![An illustration from XVIIme [i.e. dix-septième] siècle : lettres, sciences et arts, France, 1590-1700 (1882)](https://img.insideoutlibrary.com/img/200/ia-xviimeiedixsepti00jaco-543-253.webp)
