French portrait engraving of the XVIIth and XVIIIth centuries (1910)
Thomas, Thomas Head, 1881- · London : Bell · leaf 169
city andits variety. This trait was due in the first place almost surely to thefact that he was the pupil not of a portrait engraver, butof Gerard Audran. Audran engraved figure subjects; histechnique was based on etching, and was much more looseand free. Drevets technical development is something… … *£ot(Ui c^ntoinc <V ^nuvaillan uc Qonvrm (illIII ■ ■ .111 ./, . ,///.. nit ./. //. i J. /.i i>,ml. it /.,-. I IttUtfi ■\ttj.nt. PIERRE DREVET 87 and haphazard beginnings,—at a manner which was so verydifferent from what had preceded it, and which had suchan important influence on engraving…
Engraving, French · Engravers · Portraits, French · Portrait prints, French
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